Press

REVIEW: Vocal Classics of the Black Avant-Garde at Cafe Oto

Geoff Winston

“Whereas the originals pushed the envelope of their times and, on listening to recordings where available, still unnerve convincingly, the interpretations presented at Cafe Oto pushed today’s envelope in equally uncomfortable directions as, by implication, they reflected and acknowledged the issues in which society remains deeply mired.”

Mitchener And Yarde Break Blues Boundaries As Black Avant-Garde Comes To Cafe OTO

Kevin Le Gendre

“This gig is a potent, provocative event that underlines the blues as a foundation for progressive black culture”

Vocal Classics of the Black Avant-Garde, Café Oto, London — a taste of the age of experimentalism

The band captured the genre-bending energy of the 1960s and 70s

Mike Hobart

“The band captured the genre-bending energy of those times without imitation and added emotional force to the songs presented. (…) Mitchener was a syllable-stretching, sound-crunching force of nature throughout.”

Elaine Mitchener e il suono della paura

Marcello Lorrai

An interview in Italian with national newspapaer Il Manifesto about Elaine Mitchener’s latest project SWEET TOOTH.

The week in classical: LCMF review

Fiona Maddocks

“Elaine Mitchener’s b r e a d t h b r e a t h (2018, world premiere LCMF commission) had an improvisatory mystery, arriving and departing slowly and delicately.”

Elaine Mitchener delivers dramas of defiance at St. George’s, London

Kevin Le Gendre

“SWEET TOOTH is a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora.”

Breaking the chains: Elaine Mitchener on the British Empire’s legacy of cruelty

Chris Bohn

A Q&A with Elaine Mitchener about her performance piece Sweet Tooth – a visceral, overwhelming indictment of the role sugar and the slave trade played in building the British Empire.