The Wire – May 2022
Womens Work, Wigmore Hall
Jo Hutton
“The ensemble exit the stage to Alison Knowles’s Shuffle, concluding a powerful evening of profound reflection on women’s influence in the world.”
“The ensemble exit the stage to Alison Knowles’s Shuffle, concluding a powerful evening of profound reflection on women’s influence in the world.”
“My thoughts for Art Review on British Art Show 9 – currently at Aberdeen Art Gallery then touring to Wolverhampton, Manchester & Plymouth. Highlights: Kathrin Böhm, Elaine Mitchener, Abigail Reynolds & Hrair Sarkissian.”
“Equally powerful and evocative is Elaine Mitchener‘s sound installation [NAMES II] (2019-2021), memorialising some of the 2,000 enslaved African people owned by an Aberdeenshire sugar planter in Jamaica.”
“Elaine Mitchener’s poignant (NAMES II) is a roll-call of the 2,000 enslaved African people owned by an 18th century Jamaican sugar planter, whose family came from Aberdeenshire.”
“This is an imaginatively conceived recital.”
“This was an outstanding start to the Associate Artists programme with Trish and Elaine, and encouraging evidence of an openness on the part of the Wigmore Hall, and also of the broader issue of the genre fluidity of so much contemporary music.”
Some Good News
Otoroku 2xCD/DL
“The work of this unique group shows how free improv can incorporate various genre musics, merging them into a miraculously coherent yet spontaneous whole.”
“Put The Brakes On’ is a suite of imaginary spaces, the galactic Black Top electronics swirl in while Mitchener putters and yelps like a meteor shower, as Drake, Parker and Thomas’ driving rhythm section erupts.”
“Two breaths, two monsters of innovation.”