4 April 2022
La Dynamo - Pantin, France 20:30 Elaine presents The Jeanne Lee Project Elaine Mitchener | voice, conceptJason Yarde | sax(s)Mark Sanders | drums/perc Anton Lukoszevieze | cello Alexander Hawkins | pianoA double
Author: pierre
11 March 2022
Theatre Deli - Sheffield 20:00 Elaine Mitchener and Apartment House Elaine Mitchener launches the SOUNDS OF NOW series with a programme that spans the jazz of Charles Mingus to interpretations of artwork
8 March 2022
Wigmore Hall, 19:30 WOMENS WORK International Women's Day Elaine Mitchener vocalist; Sarah Saviet violin; Mira Benjamin violin; Bridget Carey viola;Tamaki Sugimoto cello; Heather Roche clarinet; Siwan Rhys piano[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][edgtf_button type="solid" size=""
19 February 2022
Howard Assembly Room - Leeds 17:00 Staging Eastman Ft Elaine Mitchener and Anton Lukoszevieze With ensemble from the University of Leeds Benjamin Patterson Duo for Voice and String Instrument Julius Eastman JoyBoy Julius Eastman
12 February 2022
Théâtre Antoine Vitez, Scène d'Ivry - France, 19:00 'Triptychus' - New commission by Sons d'Hiver Elaine Mitchener, composer/ concept/vocalistPat Thomas, composer/ pianistReece Ewing, film / fx The evening will be shared with: Joëlle
DAAD Artists-in-Berlin Program 2022
Elaine Mitchener is awarded a Fellowship of the DAAD Artists-in-Berlin Program in 2022.
Royal Academy Magazine – September 2021
Three artists on Dance
‘I approach dance with a musician’s sensibility,’ says vocalist, composer and movement artist Elaine Mitchener, whose work appears in ‘British Art Show 9’, a major group exhibition that takes the temperature of contemporary art every five years (touring nationally until 23 Dec 2022).
The Guardian – 20 August 2021
‘Come on this journey with me’: Elaine Mitchener, Britain’s boldest vocalist
Jennifer Lucy Allan
“Classically trained with a three-octave range, the genre-exploding performer dissolves her voice into astonishing gasps and stutters to confront the horror of colonial history.”
What’s the score?
Elaine Mitchener discusses radical approaches to creating and interpreting musical scores at Somerset House