19 February 2022
Howard Assembly Room - Leeds 17:00 Staging Eastman Ft Elaine Mitchener and Anton Lukoszevieze With ensemble from the University of Leeds Benjamin Patterson Duo for Voice and String Instrument Julius Eastman JoyBoy Julius Eastman
Author: pierre
12 February 2022
Théâtre Antoine Vitez, Scène d'Ivry - France, 19:00 'Triptychus' - New commission by Sons d'Hiver Elaine Mitchener, composer/ concept/vocalistPat Thomas, composer/ pianistReece Ewing, film / fx The evening will be shared with: Joëlle
DAAD Artists-in-Berlin Program 2022
Elaine Mitchener is awarded a Fellowship of the DAAD Artists-in-Berlin Program in 2022.
Royal Academy Magazine – September 2021
Three artists on Dance
‘I approach dance with a musician’s sensibility,’ says vocalist, composer and movement artist Elaine Mitchener, whose work appears in ‘British Art Show 9’, a major group exhibition that takes the temperature of contemporary art every five years (touring nationally until 23 Dec 2022).
The Guardian – 20 August 2021
‘Come on this journey with me’: Elaine Mitchener, Britain’s boldest vocalist
Jennifer Lucy Allan
“Classically trained with a three-octave range, the genre-exploding performer dissolves her voice into astonishing gasps and stutters to confront the horror of colonial history.”
What’s the score?
Elaine Mitchener discusses radical approaches to creating and interpreting musical scores at Somerset House
EDWARD W. SAID DAYS 2021 at Pierre Boulez Saal
Elaine is guest artist for this concert presenting works by Luciano Berio, Julius Eastman and Alvin Lucier
Art Review – 30 July 2021
British Art Show 9: ‘A Scene At Once Thriving and Struggling To Survive’
Tom Jeffreys
“My thoughts for Art Review on British Art Show 9 – currently at Aberdeen Art Gallery then touring to Wolverhampton, Manchester & Plymouth. Highlights: Kathrin Böhm, Elaine Mitchener, Abigail Reynolds & Hrair Sarkissian.”
The Gaudie – 11 July 2021
Gaudie Exclusive: BAS9 reviewed
Rory Buccheri
“Equally powerful and evocative is Elaine Mitchener‘s sound installation [NAMES II] (2019-2021), memorialising some of the 2,000 enslaved African people owned by an Aberdeenshire sugar planter in Jamaica.”