Interview

In conversation with Elaine Mitchener
“Honouring the experiment”

“With every performance I’m searching for a totality of expression, to fully unify and amplify the musical, physical, emotional, and political aspects of each work.”

5 Questions to Elaine Mitchener

Amanda Cook

“SWEET TOOTH is sonically immersive and experimental in its improvisatory approaches, referencing Kumani singing and sea shanties. It is an intense experience for the players and observers.”

‘I am definitely not a jazz singer’

Chris Searle

“Elaine Mitchener is a singer who defies all categories — and that’s the way she likes it, she tells Chris Searle”

Breaking the chains: Elaine Mitchener on the British Empire’s legacy of cruelty

Chris Bohn

A Q&A with Elaine Mitchener about her performance piece Sweet Tooth – a visceral, overwhelming indictment of the role sugar and the slave trade played in building the British Empire.

Artist’s Statement: Classically-trained vocal artist Elaine Mitchener on privacy and intimacy

Ben Miller

“My work is constantly evolving as I develop ideas and work with different artists, being challenged along the way. I approach each project with the excitement of something new and rewarding and, even if it doesn’t work, that’s okay because that’s an object lesson in itself.”

Industrial Intimacy: An Interview with Elaine Mitchener

John Wadsworth

“Industrialising Intimacy is a new way of working for me as it combines structured notational form, vocal improvisation, and movement that has been developed in R&D. I’m very excited to experience the outcome.”