National Sawdust – March 2019
In Review: MaerzMusik Festival
Steve Smith
“Her performance at Silent Green – an old crematorium converted into a cultural center – hit hard.”
“Her performance at Silent Green – an old crematorium converted into a cultural center – hit hard.”
“Digging deep into their own history is exactly the long run up Mitchener and her ensemble need to make their great musical leaps into the future.”
“It’s a marvel that such a small urban space as Cafe Oto, in the hard streets of Dalston, can contain all this music with its profound messages.”
“They rose to the challenge with an impressive, tactile take on key compositions which blended activism with the avante-garde, highlighting bonds between jazz and poetry.”
“Whereas the originals pushed the envelope of their times and, on listening to recordings where available, still unnerve convincingly, the interpretations presented at Cafe Oto pushed today’s envelope in equally uncomfortable directions as, by implication, they reflected and acknowledged the issues in which society remains deeply mired.”
An interview in Italian with national newspapaer Il Manifesto about Elaine Mitchener’s latest project SWEET TOOTH.
“This gig is a potent, provocative event that underlines the blues as a foundation for progressive black culture”
“The band captured the genre-bending energy of those times without imitation and added emotional force to the songs presented. (…) Mitchener was a syllable-stretching, sound-crunching force of nature throughout.”
“b r e a d t h b r e a t h had a genuine vitality”