terzwerk – 2 July 2020
Composing in the Golden 20s
“I think we should be activists. We should work to change society.”
“I think we should be activists. We should work to change society.”
“With every performance I’m searching for a totality of expression, to fully unify and amplify the musical, physical, emotional, and political aspects of each work.”
“With a harrowingly physical performance from Mitchener, tightly woven displays of virtuosity from the group, and little more than the highly evocative lighting to set the scene, it is like watching an exorcism: the demon cast out is history.”
“SWEET TOOTH is sonically immersive and experimental in its improvisatory approaches, referencing Kumani singing and sea shanties. It is an intense experience for the players and observers.”
“The soul that should go with funk was offered up with great effect at the Noumatrouff on Météo’s second night when singer Elaine Mitchener and her London-based septet presented what was billed as vocal classics of the avant garde.”
“Mitchener also makes a virtue of this ‘out of many threads one fabric’ aesthetic but, crucially, she brings her own character and idiosyncrasies to bear on Lee’s repertoire.”
“Elaine Mitchener is a singer who defies all categories — and that’s the way she likes it, she tells Chris Searle”
“Her performance at Silent Green – an old crematorium converted into a cultural center – hit hard.”
“Digging deep into their own history is exactly the long run up Mitchener and her ensemble need to make their great musical leaps into the future.”