Press

Elaine Mitchener e il suono della paura

Marcello Lorrai

An interview in Italian with national newspapaer Il Manifesto about Elaine Mitchener’s latest project SWEET TOOTH.

Mitchener And Yarde Break Blues Boundaries As Black Avant-Garde Comes To Cafe OTO

Kevin Le Gendre

“This gig is a potent, provocative event that underlines the blues as a foundation for progressive black culture”

Vocal Classics of the Black Avant-Garde, Café Oto, London — a taste of the age of experimentalism

The band captured the genre-bending energy of the 1960s and 70s

Mike Hobart

“The band captured the genre-bending energy of those times without imitation and added emotional force to the songs presented. (…) Mitchener was a syllable-stretching, sound-crunching force of nature throughout.”

The week in classical: LCMF review

Fiona Maddocks

“Elaine Mitchener’s b r e a d t h b r e a t h (2018, world premiere LCMF commission) had an improvisatory mystery, arriving and departing slowly and delicately.”

Internationales Jazz Festival Münster, Hawkins-Mitchener Quartet review

Henning Bolte

The brilliance and urgency, the openness and the irresistible inner swing of the movement captivated the audience (…) the group took the audience as its fifth member on a stunning many-sided sonic tour. (…) The musical action went beyond known limits.

Elaine Mitchener delivers dramas of defiance at St. George’s, London

Kevin Le Gendre

“SWEET TOOTH is a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora.”

Breaking the chains: Elaine Mitchener on the British Empire’s legacy of cruelty

Chris Bohn

A Q&A with Elaine Mitchener about her performance piece Sweet Tooth – a visceral, overwhelming indictment of the role sugar and the slave trade played in building the British Empire.