Author: pierre

10 November 2017

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Sound Festival - Aberdeen, 19:00 Of Leonardo da Vinci More info about the work: here[/vc_column_text][/vc_column][/vc_row][vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][edgtf_button type="solid" size="" text="More info on Sound Festival Website" target="_blank" icon_pack="" font_weight="" link="http://sound-scotland.co.uk/event/of-leonardo-da-vinci-quills-a-black-giant-deluge"][/vc_column][/vc_row]

07 October 2017

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Waterstones London Gower Street, 19:00 Charles-Mitchener Charles-Mitchener brings together double bassist Neil Charles and Elaine Mitchener. Invited by The Wire for their peripatetic Salon event at Waterstones, the duo

03 October 2017

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text] College Building, City University of London, 19.00 Elaine Mitchener & Anton Lukoszevieze: The Eagle Has Two Heads Part of City, University of London Concert Series Anton Lukoszevieze and Elaine Mitchener present

29 September 2017

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Ludowy Theatre, 19.00 Krakow - Poland Sacrum-Profanum Festival Polish premiere of Stay On It and Hail Mary with Apartment House.[/vc_column_text][/vc_column][/vc_row][vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][edgtf_button type="solid" size="" text="More info on Sacrum Profanum website"

16 – 17 September 2017

[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text] South London Gallery TOM PHILLIPS | Irma: an opera director Netia Jones | music director Anton Lukoszevieze | performed by Apartment House Tom Phillips' Irma is a unique, intermedia artwork,

Possessing Nothing: John Cage Song Books

Kings Place – London

Deborah Nash

“We are immersed in action and distraction from every direction – performers are behind us and in front. Dam chants an unintelligible mantra from the side; Mitchener bangs a typewriter; Brenda Mayo slaps pink goggles over her eyes and addresses us in French. At a certain point, the performers assume the majesty of archetypes: the messenger, the trickster, the home-maker, the wild card.”