Author: pierre

Elaine Mitchener about Working, Composing, and Improvising with her Voice

Ahead of a new Barbican premiere, the experimental vocalist speaks about her practise, disrupting semantic sense and her love for how people say the things they say.

Deep Time: Basquiat & Cage 8424
Fruitmarket, Edinburgh, UK

Claire Sawers

“Bold curating now about bold curating then, Deep Time runs deep and feels vital with satisfying, intermingling art forms.”

Sound
Deep Time:
Basquiat and Cage 84.24

Dan Kidner

“Mitchener’s passions are deeply personal but also resonate with a broader community of artists, curators, writers and researchers who, through sonic and listening strategies, grapple with the question of what it means to pay attention in a world where this capacity is increasingly under threat.”

the future is now: an interview with elaine mitchener

Michelle Kambasha

on third spaces, the limits of language and dismantling the notion that black artistic expression is linear and in the distance.