[vc_row content_text_aligment="" use_row_as_full_screen_section="no"][vc_column][vc_column_text css=""] Wigmore Hall - London 19:30 Are 'Friends' Electric? – a concert for voice & electronics Elaine Mitchener vox Shamica Ruddock fx Pat Thomas fx Part One: SOLO THROAT remixed - vox with
Otoroku DL/LP
“unknown tongue” might be the most impressive piece of all. Multitracking her vocals, she conjures up a drama of communication beyond language: her two characters seem to meet, argue, scheme, get frustrated, hit an impasse, muddle through, and finally begin to play and harmonise with each other.
“The evening culminated in Mitchener bringing together all the night’s musicians and all of them wheeling into free jazz reaching a crescendo from Mitchener that shook Oto’s golden ceiling filaments and had its audience screaming in delight. Powerful, indelible, of an ilk no stranger to Oto regulars, but utterly mesmerising and original and even disturbing for any crossing its threshold for the first time.”
Deep Time, Fruitmarket’s festival of new music, returns to the Warehouse 27-30 November 2024 for the second year celebrating artists from the Fruitmarket’s archive – Jean-Michel Basquiat and John Cage.
“Mitchener’s greatest strength on the album is her ability to say a lot with very little. She reminds us that poetry is not just words, it is something to feel deep within the body.”
Mike Hobart
“The first night of performance artist/vocalist Elaine Mitchener’s two-day Cafe Oto residency delivered articulate spoken-word, shapeshifting sonics and intense free jazz.”
“I wasn’t prepared for the remarkable focus, ingenuity, and invention behind her incredible new album Solo Throat (Otoroku), in which her vast oeuvre of extended techniques, literary inspiration, and improvisational thinking come together into something far more profound and jaw-dropping than the sum of its parts.”
The one-week programme Always, Already There, conceived in collaboration with guest curator George E. Lewis, focuses on Afrodiasporic contemporary music composers. A series of concerts, lectures, and panel discussions draws
For five days in May, Elaine Mitchener (DAAD fellow 2022-23) transforms the daadgalerie into an interdisciplinary salon, a meeting zone, a testing ground, an open space for exchange and experiment.
