10 December 2020

Whitechapel Gallery – London, 19:00

London Contemporary Music Festival – Spells and Sadness Online event

Elaine Mitchener gives shape to her new text score ‘SKIP, BARK I + II & WALK’, alongside a screening of three of her own film shorts, originally commissioned by the Holland Festival earlier this year.

7 December 2020

ArtEZ University of the Arts – Arnhem, The Netherlands

Unheard Voices – Online event

Kitchen Table Conversation with Elaine Mitchener

5 December 2020

Sky Arts – London, 21:00

Marina Abramovic Takes Over TV

Abramović brings her unique vision to television for the first time, diving deep into the origins of performance art in an evening full of shocks and surprises. Elaine Mitchener is one of the invited guests.

28 October 2020

BBC Radio 3 – London, 19:30

YET UNHEARD Music by emerging and established black composers

Jason Yarde Rude Awakening (arr. Yong) 6’
Leila Adu-Gilmore Freedom Suite I and II 10’
Hannah Kendall Verdala 6’
Tania León Indígena 9’
George Lewis Assemblage 15’
Courtney Bryan Sanctum (arr. Bryan) 12’

Elaine Mitchener vocalist
Vimbayi Kaziboni conductor
London Sinfonietta

16-17 October 2020

Realschule, große Sporthalle – Donaueschingen, Germany

On Being Human As Praxis

Part of Donaueschinger Musiktage 2020

16 October at 21:00
17 October at 11:00 and 17:00

Five works by five composers for voice, electronics and ensemble based on the work of feminist cultural theorist Sylvia Wynter.
Commissioned / produced by Donaueschingen Musiktage  

See Full Programme

7 October 2020

Kings Place – London 18:30

Here in the News 

Part of Rolf Hind – Is it too soon to talk about all this?

Commissioned and performed by Rolf Hind

2-30 September 2020

The Showroom – London

Blutit

Piece for solo percussive pianist commissioned by Reece Ewing as part of IN·FLO·RES·CENCE

25 September 2020

Akademie der Künste, Pariser Platz, Berlin – Germany

“Curating Diversity in Europe” Symposium

The symposium “Curating Diversity in Europe”, taking place online (September 25, 2020) and offline (May 2021), offers a platform for keeping the discourse on diversity in contemporary music in Europe alive, developing potentials for transformation during a time of limited international encounters and swelling nationalistic currents.