Hayward Gallery, London

Jennifer Walshe and Elaine Mitchener improvise a live version of Aura Satz’s Dial Tone Operator as part of the Hayward Gallery’s Mirrorcity exhibition.

St George’s Bloomsbury

NEXUS: One World Music
Curated by Orphy Robinson, Cleveland Watkiss and Mark Summerbell.

R&D showing extract from my voice/movement/text piece SWEET TOOTH Chapter 3 “Schrups-Schrups” with Sylvia Hallett (hurdy-gurdy/electronics) and choreographed by Dam van Huynh.

Woodend Barn, Dance Live – Aberdeen

Gesundheit! – A trio created by choreographer Dam Van Huynh exploring an intimate gathering of individuals from different paths of life, searching for a common voice.

Museum of London Docklands

Curated by Scanner

Performance and readings for Late London: Sonic City

The Calder – The Hepworth Wakefield

SCULPTURE 4 curated by David Toop and Rie Nakajima in respons to the Hepworth Gallery’s exhibition Allan Kaprow: YARD 1961/2014.

Royal Festival Hall, Southbank Centre – Meltdown Festival

Goldie, Heritage Orchestra: TIMELESS (Sine Tempore)

Spitalfields Festival, London UK

Talk and film showing of ‘Of Leonardo da Vinci’ (Toop/Lewis/Mitchener) as part of ‘Voice and Lens’.

Sounds New Festival, Canterbury

Robert Wyatt’s Cuckooland – remixed live performance (Matthew Wright, Tony Hymas, Brodsky Quartet)

Triskel Chrischurch, Cork – Ireland

Workshop performance of  The Last Siren – a music theatre piece conceived and written by Ian Wilson in collaboration with sound art collective THE QUIET CLUB, director Ksenija Krnajski.